by Jardine Libaire
Last week, I was so lucky and happy to be a witness at the Truth Be Told Talk to Me graduation at the MTC Lockhart Correctional Center. This was my introduction to Truth Be Told (TBT)—looking at Katie Ford’s website one day, I read about the TBT program and wanted to know more. The potential of a writing workshop in prison has always seemed massive to me—incarcerated people (and subsequently society) are better served if they’re offered tools for reformation and introspection even while they experience the punishment of being imprisoned. Living in prison might also be a person’s first chance to slow down and take stock, especially if they’re coming from a chaotic and rough life.
The writing process (which of course begins as a thinking and considering and remembering process) has been the backbone to any spiritual, moral, and emotional growth I’ve made in my own life. I’d be lost without a pen and paper. Stranded. A phenomenal teacher taught me when I was ten to write—not to echo ideas I’d heard, or create tales I thought people would like to read—but to start with the building blocks of my own visions and memories and my sensory life and my dreams and my observations of my immediate world, and to think, and to make something out of all that, to treat it like valuable material. To head into the process without guarantees, to explore, and to see what I could discover. I’m forever grateful to him, and to the teachers who followed.
I’d never been inside a prison, and TBT co-founder Carol Waid kindly sent me guidelines for volunteers coming into the facility. We could not bring cell phones, or tobacco products, or handguns (of course). We couldn’t wear all white, or revealing clothes, or short skirts, or sweat suits. No facial jewelry. Our shoes had to be closed toe, with a back. We shouldn’t mail letters for an inmate, or hug them, or ask when they’re getting out. We couldn’t have more than $25 on us, or a bottle of prescribed pills. I kept rereading this list, worried I would mess something up.
Our group of guests, volunteers, and workshop facilitators signed in that afternoon and met the women who were graduating in a big room with fluorescent lights, plastic chairs, and a scuffed floor. The women sat with us, fidgeting with the sleeves of their jumpsuits, grinning nervously, and we all introduced ourselves to each other.
The graduation wasn’t just a ceremony of passage, but a reading. The women had worked all session to discover their own stories, to write them out, and then to deliver them to an audience, which is what they did that day.
And I was just floored, jaw hanging, eyes wide, eyes wet, heart beating. I know this could sound melodramatic, but these ladies crushed it. Their stories were radioactive with honesty, dark humor, bravado, tenderness, bloody pain, maternal pride, rage, old-fashioned gratitude, and that very delicate and intricate thing—hope.
They hadn’t pasteurized their memories; they used raw material to create real portrayals. Their details were vicious, vivid, unexpected—and hard-won, because all good writing is hard-won. The women had ventured past safe and comfortable tropes and clichés and bush-wacked their own paths to their own true story. No one is ever the same after doing that kind of expedition. You better understand yourself, the way you function, the world you came from, how it affects you; knowing this personal territory, you have leverage in future situations. At least that’s been my experience, and I heard the premonition of it in these women’s stories, too.
But these stories weren’t just illuminating to their own authors. They filled in abstract reports we all hear on poverty, crime rates, domestic violence, disability. These women used details like a ferris wheel seen in a dream, smelling faint perfume on a sister’s letter, stolen makeup, and basketball courts to make their lives real to everyone listening.
Statistics often seem simple, but it’s harder to reconcile (and impossible to forget) the personal account of someone who as an 11-year-old sold crack to her mother; or a girl who knows love mainly from being sexually abused by her father; or a mother dealing drugs to give her kids a childhood free of the violence and hunger she lived through, but getting busted and losing her family entirely.
I looked at the facilitators with great respect since writing like that just doesn’t come out of typical workshops!
There was a dearth of self-pity or blame. Ambition and self-knowledge took up more space. I only fear that the outside world, when a woman is released, will threaten her sense of self and her goals, but, as Katie said in a closing moment, the best thing anyone can do is believe in these women. Fear isn’t useful.
And so we left the prison, exiting into the parking lot, past the razor-wire fencing. We didn’t take anything concrete with us, but I definitely left richer, laden with new knowledge and insight, carrying stories into the world beyond. It made me think for the first time in a firsthand way about oral storytelling traditions and how they’ve saved and protected cultures and individual souls from extinction in the collective consciousness. Stories don’t trigger metal detectors either, and they can go wherever there is life.